I like to record anyway, even if there's no plan to do anything with it. That way, if the network goes nuts, I can keep producing something good, "live to tape", and upload it later. And I've taken clips from a few sermons to use in other projects too. You never know when or how a recording will come in handy.
Ditto
- I've taken a local Recording (which is MUCH higher fidelity that a typical content delivery network (CDN = YouTube, FaceBook, etc ) after heavy compression) and given (burn to DVD) to family after baptism, funeral, wedding, etc.
I've done it as a courtesy. Depending on quality, you could use such recordings as a 'fundraiser' (cost deferral) type thing
- Someone else recently said (and I haven't had time to check it) that Facebook for example, saves video in Video library at 720p even if upload/livestream is 1080p ??? no idea if that is true or not.. but regardless, I've not had a recording and downloaded a video from Facebook (or YouTube) and my local recordings are WAY better quality.
- and as mentioned, and we've lost Internet before (both back in DSL days, and shortly after AT&T cut us over to fiber), so posted online at start of service (via cellular device) to community saying 'sorry, no livestream today. we'll upload service later' .. separate discussion on having a 'digital usher')
so yea, I strongly believe in Recording in addition to Streaming (assuming OBS system up to it.. you can use same encoding settings on Recording and Streaming to avoid 2X encoding workload if you need to)
As for Audio
- remember that OBS Studio is Free Open-Source Software (FOSS). Streamlabs OBS is NOT. Which means they can pay for certain licenses/features that aren't practical in FOSS. And Windows Audio sub-system has all kinds of default limitations, that other software works around (some of it licensed/patented/etc... hence not seeing some things in OBS Studio).
- With FOSS, the onus is on the user to work-around some of this sort of stuff. But some approaches (ASIO) aren't consistent with device enumeration and reboots (I've heard).. yea.. everything Aaron said, and then there is also the issue of OEM's getting cheap with motherboard chipsets... so sometimes consumer gear is junk, but workstations will behave differently (you get what you pay for .. sometimes)
- I have an analog mixer with USB out. I wouldn't mind seeing all of my mixer channels in OBS (all I'm really looking for at this point is the ability to Mute certain mics during certain quiet single speaker moments, when not needed to avoid a faint echo). And I've love to avoid the extra analog connections and extra analog/digital conversions (in non-ideal spots). But, Windows audio (which OBS Studio uses) has severe limitations. So, my thought is to run a DAW s/w, and do the channel Mute/Fader on that, then send the mixed output to OBS. I have NO need for multi-track audio in OBS.. none.. zero. Now, should I get anywhere near Aaron's level of audio sophistication, then maybe I'll think differently. Why not adjust on mixer? 'cuz mixer (and OBS PC) downstairs in a small closet, and livestream team is upstairs in a choir loft, connected by a 50ft fiber DisplayPort cable and an Active USB3 cable (for keyboard, mouse and DP MST monitors). So.. disruptive and not quick to run downstairs when truly required to adjust mixer). So, audio mixing on OBS PC would be really nice.
BUT... our mixing vendor software didn't support Audio out to Windows Audio sub-system with their regular software (USB driver and DAW, except top pay, vs bundled, version.. and even then, only recently. And such limitation was common across DAWs 3 years ago). Supposedly, a new USB driver may address some (all?) of my challenges. I'll find out in a few weeks
For last couple of years, I've left the Main audio mix alone, and created a sub-mix (our mixer has that capability) as I added a number of mics not needed to be amplified in-house (so Main mix ignores/mutes those channels, Sub-mix (broadcast) does use them). I've taken analog stereo sub-mix from the mixer into a gain adjustment device adapter to 3.5mm TRRS into PC (and front vs rear-panel yields different results, with front sounding much better.. go figure.. took trial and error to figure out levels, gain adjustments, etc to get a good sound into OBS Studio).
I mention this as depending on layout, device, etc. sometimes analog works just fine, especially if you don't want to spend or simply don't have the time and/or access to the technical expertise to get a digital connection working from old analog mixer thru Windows Audio system to OBS.
Sorry clearly I'm not a Behringer user... a quick look at the Product link Aaron posted, I'm suspect a bunch of my sub-mix considerations don't apply to your mixer... makes it easier, for sure
And to be explicit - regarding seeing the OS level meter moving... the challenge is which channel(s) is that? is it a stereo mix of all channels (I'm guessing yes, but with tech I always go to confirm rather than assume), or ?? And then to my scenario, which channels are being sent to USB from the mixer, and at what levels? An in-house mix vs a livestream mix can often have different needs/adjustments (in my case, pipe organ and choir should absolutely NOT be amplified in-house, but did need to be mic'ed for livestream... but now those new mics .. at back of house... cause echo issues at certain times). So, do you have someone at the mixer during a service? Hopefully a sub-mix isn't needed for you as I'm guessing you'd have to futz something with Control Room output?, if need be?
Good luck