I am the developer of the current audio meters.
dB scale displayed with equal distances is actually close to what human perceive the sound like.
The compressed scale that Final Cut Pro and a bunch of other applications and hardware display is used to be able to see audio at infinite low volume, while still having a large portion of the display devoted to loud signals (which most of the audio signal will fall in).
It may also be a difference between how European and American equipment is designed. European scales have equal distance scaling, while American compress the scale. It looks like modern digital meters have compromised to having equal spacing above -20 dB and compressed spacing below -20 dB.
https://en.wikipedia.org/wiki/Peak_programme_meter
Anyway, it would be significant work on changing how the meter is displayed. I would not be opposed to a patch to bring the meters inline with IEC 60268-18. But looking at the environment that OBS is used in we don't need the extra accuracy at the top level of the scale (because of live, non-hands-on, recording of speech), nor do we need the infinite range (with the high noise floor of home studio equipment).
In the future we may add loudness metering which will be displayed in LUFS (also on the same equal distance dB scale). Which will improve the metering of perceived loudness a lot closer. The peak meters that are currently displayed are less useful for measuring loudness, but very useful to determine if the audio signal will be clipping, both peak and loudness meters have their own use.