All of the above is free, so the only cost is your time to play with it. Seems like a cheap experiment to me.
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Another thing you might look at, instead of just a simple subtraction, is echo cancellation. This does not replace the noise suppressor; only the subtraction.
Echo cancellation is designed for things like speakerphones, where the mic and speaker are right next to each other, and you still want to talk over the other party.
- In its original application, the echo canceller takes the raw mic and the final speaker signal, and figures out what to take out of the mic before passing it on to the rest of the system. It involves quite a lot of processing, not a simple subtraction.
- In your case, it would take the noise-suppressed mic (voices only) as the "speaker" to be removed, and the raw mic as the mic.
Unfortunately, I don't know of a good one of those. I'm sure there *are* some, now that you know the term to look for.
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Another thing that comes to mind, though I doubt it'd work very well for you, is to use multiple mics like the Grateful Dead did for vocals in front of their "Wall of Sound" experiment. They had two identical mics for each vocal, one subtracted from the other, with the idea that the close-up voice would not be equal in both and thus *not* cancel completely, while the PA *would* be equal in both and thus cancel. It...worked for that specific purpose, but it didn't sound very good for the vocals themselves. And you want to do the opposite anyway.
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Once we have multiple mics though, another idea is to spread them out. The ambient sounds that you want, won't be much different at all no matter which mic you're listening to, but when someone talks close to one, that's definitely different! So you could split off each one into its own noise suppressor, so now you have a voice detector for each one, and then you can use that to kill the raw signal that it's associated with.
As a first attempt on *that*, I'd feed the noise-suppressed version into the side-chain of an aggressive compressor, then mix them all together into a more gentle bus compressor, just to account for the overall level changing if one of them drops out.
This is also free, except for mics, cabling, and preamps.